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Human Rites

by Sergio Beercock

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      €8 EUR  or more

     

  • Compact Disc (CD) + Digital Album

    Limited Edition 50 numbered and and signed copies.
    Edizione limitata di 50 copie numerate e firmate

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      €15 EUR or more 

     

  • Record/Vinyl + Digital Album

    Limited Edition 50 numbered and and signed copies.
    Edizione limitata di 50 copie numerate e firmate

    Includes unlimited streaming of Human Rites via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days

      €20 EUR or more 

     

1.
you are like the sun - you shine on things around but I'm among those things - they do not make a sound I knew you were that flame that shines its light up there I knew that if you touched my skin I’d burn down - I’m aware but when you left the landscape the dark came to my room because you were the light shining that I'm reflecting like a moon and I am just a satellite hoping to be a star - in the end see you next sunrise - see you around the bend
2.
unfolded 03:14
who knows what you think when you sleep there without me - on my bed - next to you watching you gather your stormy whirlwinds of feelings - gut-feelings - you go on about you seem to have a pattern of ideas that you've sewn along the years folded - unfolded and rucked again and again you will and I understand how you feel when the cloth is unfolded and seems creased and worn out so let me tell you that you are only wearied by the times that you've stretched it gather your blankets bring them at my place spread them out on my bed take them out until late in the afternoon
3.
a day without you is a year on my own time spends its time giving itself on loan cigarettes and diaries fill enormous lonely hours with what is mine and only mine - with what I wish would be ours feeling sorry about the past is a hobby I am used to over-thinking about the seconds - over-feeling about us two then you come and comes the light in this hole I call “myself” and my day becomes an hour and my house becomes a shelf too much me is someone else and I’m tired of being me I’m a very simple lover - I’m the one who’s never free life shouldn’t be a prison for the things we sometimes feel feelings are the only reason we are here as human beings let me ask you out this evening - let us speak while we walk let us spend some time together - let us feel - let us talk
4.
burn my lyre 02:58
what will you think when I'm no more? look - by the door there's a box with my secrets in take a look and when you find that key behind all the papers go to the brook take the key - please don't you hide it from the tide leave it there on the beach for me take your time - if you see them come beating the drums and with banners that say my name when they do cast it for me into the sea and then run 'cause they're after you take the box - set it on fire then burn my lyre and send everyone to the docks it's not true - there won't be a crowd crying out loud for the key that I left for you
5.
in bliss 01:17
6.
What happens when the moths Nested in the cracks of the day See the coming storm And swiftly swarm around the lightning ray Cry out loud Talk to me from the inside of your own crowd My fibers crawl All around your scream that echoes through the hall Where do they go? Where do they go? What happens when the moths When there is no light and they all fall away Hear the distant horn And dizzily down they go to hear me say: Down down down Keep your wings in tension 'till you reach the ground Feel your fall The impulse of my tendons as I hear your distant call
7.
maybe it was nearly November and right behind that bend I saw a thing I could remember until the very last end the boys and the girls were speechless - my brothers and sisters amazed 'cause we were all standing to witness the wreck of a rainbow that lay in the haze none would believe, - none would bother us ‘cause we were just kids in a town and I was ready to swear on my mother it fell from the clouds when it rained upside-down scholars - professors from all of the land examine and analyze but can't understand how can a rainbow now solidly fall and how can it scatter like bricks from a wall the kids say the truth - they were there - must tell the ministers - the poets - they care such things can happen in stories like this - get out of our poems and give it a miss stop trying to give sense to it - we're only taking the piss
8.
I swear I try but I don't know why it's so hard to be simple words slip out and mess about and my thoughts start to crumble the names of things by the way I sing never sound ordinary ordinary is the word but as soon as it's said it makes everything so much heavy ordinary is not right and right is not quite the word I might use I know you understand but on the other hand there must be a link to the roots the roots of the heart - that's where I should start to do the things I need to do to stop feeling shy - I'll try to be dry and tell you my way that I love you so the song of a bird by whoever it's heard casts one's heart like a spell but you hang to the words and I wasn't born a bird - I was a child who grew up to tell but I'm on my way - sorry for the delay - but I can't do much about this to feel like a fool and drown in a pool of words when I could just kiss
9.
gentle and brave as a feather you used to come swirling down jumping one step then another to lead me with your lilac gown blessed be you and your nudity as it leaned over my simple sleep and waking up all of my impertinence the lilac bent on your eyes - deep sleeping beauty on your throne of crystals you were nothing like the things I ever heard of as you slept the pages had just symbols and when you awoke I could read all the words you had changed the language of mankind - our everyday-talk became suddenly loyal the bowl and the jug became lanterns the road before us instantly royal the fields of grass we stepped on and the cities they yielded all to gaze at the land and fate followed us and our pity like a madman with a razor in his hand but none of these things I could ever tell you - the words I've said until now are not mine I climbed on the back of a poet to sing his diamonds with my copper rhyme
10.
cling 02:24
I can't make it from this hold - things just cling onto my soul when I try to set them free they cling even more to me holding on with jealous lips to my heart and fingertips just as you did when i touched your eyelids and your eyes clutched to my back walking away counting all my steps and days i'm one out of a million a bird resting on a tree stop bringing water to the roots and to me i've no roots - darling - it's a hard thing to see 'cause you have blossoms - 'cause you are the tree

about

“Human Rites” is BEERCOCK’s second album. All the activity around the record, starting from the music itself, the artwork and the video-performances preceding it, highlight the all-round vision of it as a complete act of art, and of BEERCOCK as a multidisciplinary artist using music as one of his languages.

Through the research of a completely new sound compared to his 2017 debut album, the UK-born Italian artist relies exclusively on his two main instruments: the Body and the Voice. The album has been produced entirely by Fabio Rizzo, employing only one microphone to record all the vocal parts and breath-and-hand beats, processing them to build the wall of sound throughout the tracks: an out-and-out in-studio performance by the artist and his producer.

Those “limits” BEERCOCK has imposed on himself in creating the album have pushed him to study the means and boundaries of Voice and Body as instruments, and to build an elegant yet powerful, while at the same time new and ancestral language. The “wall of voices” of the more choral tracks call to mind gospel but mostly ancient ritual music: a Rite made of human vibrations and collective energy.

The whole “map” of beats in the album serves as a bridge between the urban influences of Afro-American music and a more tribal dimension. On this powerful rhythmic foundation, the Voice - BEERCOCK’s master instrument - is free to express itself in dynamics and timbres, penetrating the sound and dominating it with density and poignant emotion.

The ancestral, ritual, both individual and choral dimensions are BEERCOCK’s final goal in this album: every track is an episode, a human rite to share with society, at this historical moment in which everybody has to rethink the deepest relation between the individual and the community, the physical and the digital, closeness and distance.

“Human Rites” is definitely a 2020 album: every sound produced by Body and Voice is generated by the tension of a human being, suddenly devoid of all superfluity and certainty of the future: a call to stay close through the Rite, while everything rips through all around.

credits

released December 11, 2020

BEERCOCK: voice, body, rites
Fabio Rizzo: production, recording, mix
Francesco Leineri: arrangements
Stabber: mastering

Alba Scherma: artwork & graphic
Vincenzo Guerrieri: photo & video
Massimiliano Rotolo: communication

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about

Sergio Beercock Palermo, Italy

Sergio Beercock is a UK-born Italian theatre performer, singer and multi-instrumentalist. As a musician, he published his first solo album “Wollow”. As a performer, he works in theatre companies also as a director. His new research leads to his new album “Human Rites".

Management: Fabio Rizzo fabio@800a.it
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